Tag Archives: 1994

REVO Remastering: A Young Person’s Guide To Ultravox

Ultravox: A Young Person’s Guide To Ultravox 2xCD-R [2018] Disc 1 [Foxx] Satday Night In The City of The Dead Slipaway Wide Boys My Sex Young Savage ROckwrok Fear In The Western World Distant Smile The Man Who Dies Every … Continue reading

Posted in A Young Person's Guide, Core Collection, Designed By Peter Saville, New Romantic, Scots Rock | Tagged , , , , , , , , , , , | 33 Comments

Record Review: New Wave Hits Of the 80s – Just Can’t Get Enough Vol. 7

Various Artists: New Wave Hits of the 80s – Just Can’t Get Enough Vol. 7 US CD [1994] Haircut 100: Favourite Shirts [Boy Meets Girl] Josie Gotton: He Could Be The One The Blasters: I’m Shakin’ Split Enz: Six Months … Continue reading

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30 Days: 30 Albums | Yello – Zebra

I just hit a line in the sand regarding Yello, who from 1980-1990 were among my favorite bands. I heard the Ralph 7″ of “Bimbo” and immediately hopped that train! I rode it with gusto until 1988’s “Flag” album. I … Continue reading

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30 Days: 30 Albums | The Dickies – Idjit Savant

I used to have three Dickies CDs that I got rid of because they weren’t “Incredible Shrinking Dickies” or “Dawn Of The Dickies. Once I go the DLC RMs of those titles in the early noughts, I figured “why clutter … Continue reading

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Rock GPA: Orchestral Manoeuvres In The Dark [part 38]

The Listening Pool – Still Life | 1994 – 1 [continued from last post] In spite of having Paul Humphreys back in the driver’s seat, “Promised The World” offered yet more bland sophistipop. His presence didn’t make a lot of … Continue reading

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Rock GPA: Orchestral Manoeuvres In The Dark [part 37]

The Listening Pool – Still Life | 1994 – 1 I remember hearing somewhere along the way that Martin Cooper and Malcolm Holmes threw their lot in with Paul Humphreys to reunite as a new band once Paul left OMD … Continue reading

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Record Review: New Musik – From A To B [part 2]

[…continued from previous post] The title seemed sort of cribbed from Brian Eno, but “Dead Fish [Don’t Swim Home]” perhaps owed more to the arch pop strategist than its title. The extended intro was all based on backwards synth tapes … Continue reading

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