Aaaaaand we’re back! We’ve picked ourselves up, performed a seemingly endless parade of heavy manual labor, gotten internet in our Asheville locale restored so we’re up to jump-starting this moribund blog now that we have a lunch hour again. Let me give a shoutout to all of the commenters, musicians, and regulars who reached out to see how we were doing under that was difficult circumstances to respond. We had a neighbor on our mountain road set up a public Starlink wi-fi network hooked to a generator that was across the street and that was the only way for weeks that I was able to communicate with the larger world.
I was thinking to myself last night [instead of sleeping] that among other things, Holy Crow…I’d have a blog to write today and what was it going to be about. Even in the best of times I am capable of losing the plot, never mind following the hard reset a third of North Carolina just underwent via Hurricane Helene. A hard reset so powerful that some whole communities and roads no longer exist. We were on a mountain and lucky with no flooding in our area, but as I whiled away the minutes instead of sleeping, some musical topics of relevance began to drift across my mental proscenium as potential fodder for this phoenix-like post concerning some major musical comfort food in the aftermath of a disaster.

John Foxx: Metamatic 45th Anniversary – UK – Grey Vinyl LP [2025]
- Plaza
- He’s A Liquid
- Underpass
- Metal Beat
- No-One Driving
- A New Kind Of Man
- Blurred Girl
- 030
- Tidal Wave
- Touch + Go
I’d like to say that I was on “Metamatic” in January of 1980 like white on rice, but I’d be lying. I had no awareness of John Foxx until a year later; owing to my success at finally obtaining a copy of Ultravox’s “Vienna” LP in December of 1980. Almost three months after seeking it. By January, I was moving to purchase other Ultravox albums, beginning with “Ultravox!” and with that came my first exposure to John Foxx.
My next steps were buying the “Visage” album as well as “Metamatic.” All by no later than the middle of February, 1981. All of these records were foundational for my new musical worldview, and come next January [pinch yourself if you feel really old] “Metamatic” will be chalking up its 45th year as a touchstone of dystopic, Ballardesque technopop. And what will be only the sixth copy of this Cold Wave landmark will be entering my Record Cell. The first five are as follows…
- 1980 UK LP
- 1993 UK CD [bonus tracks]
- 2001 UK CD remaster [diff bonus tracks]
- 2007 2xCD remaster
- 2018 3xCD boxed set remaster
I still harbor great regret for not buying the Record Store Day 2014 gatefold white vinyl copy which dropped during a period of much travel saving. Sigh. But that was one of the occasional Demon Records Foxx releases that somehow happen. This copy will be issued on Foxx’s own Metamatic Records on January 17th, 2025. A day short of exactly 45 years, but we still have to honor the Friday release schedule. The LP will be a cold grey slab of wax for maximum cueing difficulty with the classic ten tunes present. I got the email for this from the Foxx Bandcamp account on October 1st, and and while I was in the post-hurricane “internet cafe,” I immediately clicked the link on my phone and pre-ordered the release since what else could I do in the aftermath of hurricane? Especially since the copies pre-ordered from the Official John Foxx Webstore at Townsend Records will ship with a “Metamatic” print signed by Herr Foxx.
While I have an embarrassing number of signed Foxx releases, I’d be crazy to stop buying them now! Especially since it’s my goal to have one copy of each Metamatic number release on his label. I think I’m missing only a handful. Fortunately, the price is right with the LP going for £21.99/€26.99/$29.99. Not too pricey but wow, has the Pound rallied without me being aware? Now that a series of Tory car wrecks are no longer holding the reins of Britain’s government? Of course, the shipping will cost me but I’m sanguine about it. It’s John Foxx, for crying out loud! I’ve already bought but now it’s your turn. DJ hit that button!
-030-





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It’s great to hear your Internet access is back on and you’re doing better. Maybe the Eno documentary will come back to Asheville.
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steeveecom – Welcome to the comments! I suspect we’ll have to see it via streaming rental…with both art cinemas in Asheville either closed indefinitely or wiped from the earth. But the question arises, for streaming, will it be a different edit each day??! I’m not made of money.
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Ugh, losing both the city’s arthouses! It sounds like a lot of the elements of life in Asheville that drew people of the city have been destroyed.
When I saw ENO in the theater, they played the 357th variation.
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steeveecom – Not to belabor the point, but you really hit the nail on the head!
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I was onto Metamatc pretty early on. I think the trigger was a glowing Melody Maker review for the No One Driving double single, which I bought and loved, and so I got the album at the earliest opportunity and just freakin’ LOVED IT!! And still do.
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Big Mark – Foxx had developed a baleful sound that was like nothing else at the time. The reductive 8-track production gave “Metamatic” a powerful impact that no others had. It’s the sound of a record going all in on its own identity no matter what the cost!
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I haven’t the luxury of collecting every single variation of given releases anymore due to a lack of (both storage and apartment) space, but if one is still getting the vinyl, this grey edition to match the album cover colour choice would seem to be a good idea — and spare Foxx autograph to boot! One can never have too many scribblings of the Great Man himself.
Boy do I love this album for the reasons you outline, O Monk, but I gotta say man did that follow-up record throw us a curveball (no spoilers!). That both (and the later releases) still hold up so well is a testament to his eagle-eyed vision.
On a different note, I’m pleased to see the Cell and the blog have at least partially rejoined the 21st century. My life was a little bit emptier without my PPM fix.
My heart aches, however, for the destruction your local area has suffered. A town without art house cinemas becomes a town with pity, not without it! I weep for this terrible cultural loss.
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chasinvictoria – If you’re ready for some heartbreak, then check out what we’ve lost in Grail Moviehouse. Besides showing almost every new film we wanted to see, they also featured exceptionally curated repertory. The last film I saw there was “Buckaroo Banzai: Across The 8th Dimension” with a vivid discussion afterward about a fortnight prior to the devastation with the pleasure of a younger cinephile friend who’d never had the pleasure in spite of me telling him for a decade that he “need see Buckaroo Banzai!” Also… best popcorn possible in a theatre! Real butter and a host of excellent flavorants, including our fave nutritional yeast; just like at home!
The town’s long-standing Fine Arts Cinema re-opens today. They are the establishment option; not the “young Turks of cinema” that a Grail represented. They also cancelled an “ENO” showing, but they only booked it once. Not fully grasping the concept. Still, we hope,
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