Record Review: Ultravox! – Mini LP

Festival Records | OZ | 12″ EP | 1981 | L 20003

Ultravox!: Mini LP OZ EP [1981]

  1. The Wild, The Beautiful, & The Damned [live @ The Rainbow]
  2. My Sex [live @ Huddersfield Poly]
  3. Quirks
  4. Young Savage [live @ The Marquee]
  5. The Man Who Dies Every Day [live @ Huddersfield Poly]
  6. Modern Love

Here’s another 1981 EP that rocked my world, while I’m on the thread. This was a delight I found at the Altamonte Springs Peaches at a point where it was the first time I had any of the material that it collects in a deluxe, Australian only package. The live recordings are ’77 vintage material with the band at their ferocious peak, just before casting off the chrysalis of punk to become Krautrock-inspired butterflies; inventing New Romanticism in the process.

Not so with these live tracks. “The Wild, The Beautiful, & The Damned” is a violin driven number redolent of Doctors Of Madness. “My Sex” is still every inch the visionary slice of pre-post-punk that defined the far horizons of their debut album [recorded in 1976] to map out uncharted miles of virgin territory that Foxx would spend the rest of his career investigating. “The Man Who Dies Every Day” is the great single that never was; my favorite track from the largely abrasive “Ha! Ha! Ha!” And then there’s “Young Savage.” Never faster or more vehement as it is in this live recording. Drummer Warren Cann compared playing this number to starting up a powerful motorbike and holding on for dear life while it sped away, oblivious to you on its “back.”

These lovely live recordings were originally issued years earlier in 1978 on the 7″ 4-track EP “Live Retro” as issued by their label at the time, Island Records. The covers are similar. Both sport high contrast images of singer John Foxx looking every inch the spitting cobra of intellecto-punk. It was several years later when I finally found a copy of the original 7″ on Island of the “Live Retro” EP but by that time it was strictly the collector in me acting, since I’d been spoiled with the superior fidelity of the Australian 12″ version with perhaps ten minutes of wide grooves per side. But superior sound wasn’t the only thing that the Australian “Live” EP had going for it.

The Australian EP also had two rare Ultravox! cuts [“Quirks” and “Modern Love”] that appeared originally as a free 7″ single included with the first 10,000 copies of “Ha! Ha! Ha!” as “bonus tracks.” Quirks is a brisk 1:27 number that ends before you even have a chance to notice and “Modern Love” is a thunderous live recording of a track that never perhaps got laid down in the studio. Getting these on the 12″ EP was a real coup since I thought that I would never get the original 7″ of these tracks at that time. Of course, perseverance over the years brought me that single eventually [twice, even], but until 2006, when Island issued DLX RMs of “Ultravox!” and “Ha! Ha! Ha!” with the contents of this EP spread [unevenly] across both discs as bonus material, this was the best sounding way to experience these lost tracks from the early, pre-fame period of Ultravox!

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5 Responses to Record Review: Ultravox! – Mini LP

  1. Echorich's avatar Echorich says:

    It’s pretty amazing how many different directions Ultravox! could have taken but with each of those first 3 releases there was an evolving vision and direction that culminated in Systems of Romance which is owed so much more credit than it will ever get (aside from Numan’s alway celebratory words).

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  2. ronkanefiles's avatar ronkanefiles says:

    Wonderful records all. Did Ultravox ever go to Australia? Or was someone down there consolidating their releases out of necessity? I understand that John Foxx objected when Island Records initially issued hits / misses collection “Three Into One”.

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    • postpunkmonk's avatar postpunkmonk says:

      ronkanefiles – As far as I know, Ultravox never made it down under. Unlike Simple Minds who hit the top ten there first with “Love Song.” I don’t know about John Foxx on “3-Into-One” but I have read that Warren Cann and Chris Cross gave Island their full “cooperation” in preparing that one for release. Specifically they wanted to sabotage it now that they were signed to Chrysalis. Cann relates:

      Of course, after we’d signed to Chrysalis we weren’t surprised in the least to see Island Records try to cash in by releasing a compilation of our older material. We’d been dumped by Island and not treated very well (let’s put it this way, some time later there was an out-of-court settlement with Island Publishing). Once we’d heard of the imminent release of a compilation, we had an idea to exact a small but satisfying degree of reprisal… Chris Cross and I used to pay visits to the Art Department at Island and talk to the designer responsible for the sleeve.

      Feigning interest in their treatment of the sleeve, we’d encourage all of his worst ideas. When he told us he had this idea of taking a photo of his girl friend “lit up by some car head lamps, wearing a sort of costume…”, we said, “Brilliant! That’s the one!!” (Ha! Ha! Ha!) Were we successful? That sleeve speaks for itself.

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  3. Rob Sonic's avatar Rob Sonic says:

    Just picked up the twelve inch in Adelaide while on holiday. I never knew about it before despite having the four track EP.

    Liked by 1 person

    • postpunkmonk's avatar postpunkmonk says:

      Rob Sonic – Welcome to the comments! I’m amazed that there are still copies to be found in Oz 40+ years later! The sound quality is much better than the 7” so consider yourself lucky.

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