We’re back from our little flight of fancy. When we last directed our attention at the Simple Minds X5 boxed set, we were discussing the omissions made in the running time due to any number of reasons: disc running time, licensing issues. We’ve covered the missing debut single under the nom du disque of Johnny + The Self Abusers. Today we’ll move forward to discuss the next period where there are gaps in the record; the period of the group’s crucial fourth single, “I Travel.”
I Travel [7″ edit]
“I Travel” is among the most exciting Post-Punk tracks that I can name. Jim Kerr has described how hearing “I Feel Love” by Donna Summer with its groundbreaking Giorgio Moroder production was a revelation for him and his friends. On “I Travel” you can detect faint wisps of that song’s DNA dropped into a much more aggressive host body. The result is ground zero for acid house, which happened nearly a decade later. The best version to my ears is still the original album cut, which is rightfully pervasive. But the original Arista/Zoom 7″ contained an edited version of the track, which is a whole minute shorter. If you want to hear this, you have but a single location where it is available; the original 1980 7″ single. Every compilation and “best of” the band has ever put out uses the LP mix instead.
Celebrate [7″ edit]
When Simple Minds signed to Virgin Records, where they should have been all along, really, Arista issued a second single from their magnificent, yet woefully promoted third album. “Celebrate” is a fairly radical 7″ edit in that it excises half the running time of the LP cut! That’s more than enough to make it a curio for your interest, certainly. As with the last song, the original UK 7″ is the only place where this is to be found in the years since its issue. You’ll have to haunt the web to find a copy in 2012, one would imagine. Special thanks to reader Brian Ware for setting me up with a copy of this gem many, many years ago!
Changeling/I Travel [12″ segue mix]
The next m.i.a. rarity is something really unique and obscure, that even I didn’t find out about until I tracked down a copy of the UK “Celebrate” 12″ single some 20+ years after it was issued. The A-side is an extended version of the A-side, which is why I bought it, but when I flipped it over and played the B-side I was treated to “Changeling” and “I Travel” from “Empires + Dance” in a unique segue mix. The two songs appear as a DJ would mix them together on the radio with the fade of “Changeling” being overlaid with the intro to “I Travel.” This is actually what I refer to as a “buried treasure” in my collection. “But Monk,” you say. “Aren’t you splitting hairs?” Yes!! That’s the whole point of being the Post-Punk Monk! How many remixes can dance on the head of a pin? I aim to find out! As before, if you want to hear this, there’s but a single source for it – this original 12″ single.
Love Song 7″ edit
Simple Minds first single for Virgin was a classic track, bristling with anthemic power of the legitimate sort. Burchill’s guitar is careening into space while the rhythm section and McNeil are locked in tandem for the surging riffs that are the song’s bedrock. As with “I Travel,” the LP cut is the crucial version, but unlike the songs above, the 7″ edit, which shaves a little more than a minute from the five minute song, is utterly ubiquitous. I can’t give you a thumbnail, but I will provide links. The song was their first top ten single…in Australia no less, so OZ comps are well represented.
- V.A. – Touche – K-Tel – OZ – NA 612 1981
- V.A. – Methods Of Dance – Virgin – UK – OVED 5 – 1981
- V.A. – Modern Dance – UK – NE 1156 – 1981
- V.A. – 1982…In The Sun – Festival Records – OZ – GIVE 1982 – 1982
- V.A. – Super Hits – Ronco – UK – RTL 2058-A – 1981
- V.A. – 1981 The Big Ones – CBS – OZ – CSP 214 – 1982
- Simple Minds – Themes For Great Cities – Stiff – US – TEES 102 – 1981
- Simple Minds – Urban Sampler – Stiff – US Promo – SM 1 – 1981
Next: Gonna make you sweat…









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I Travel is the greatest melding of Eurodisco with the Post Punk ethic. SM created a unique sound that might have happened if Moroder had convinced Kraftwerk to write a song with Neu! to be sung by Donna Summer. I Travel vindicated my love of a disco beat, punk rock attitude and post punk creativity.
I have to tell you that I was not aware that the Changling 12″ was that rare! I bought it when it came out because my friend who ran Metro Records in Queens, where I grew up, really liked SM and ordered a bunch of them. He held one for me and played my the “mixed” b-side in the store when I bought it. I haven’t heard it for ages, but at the time put in on dozens of mix tapes I made for friends and myself back in the 80’s.
I agree that the LP version of Love Song is the version to have, but I wish I had the 7″ single just for the Malcom Garrett/Sheila Rock sleeve. I have always loved thos pics Sheila took for S&F/SFC as well as other Garrett sleeve such as B.E.F.’s Music of Quality and Distinction Vol. 1. I attempted to get her to join my agency in the mid 90’s and basically gushed over this work. She seemed bemused by my ‘trainspotting” moment of body of work. We remained friendly for a number of years, but she never trusted Photo Agencies and remained self managed.
Finally, my favorite credit on those albums and singles has to be for Garrett’s cars as supplied by Auto iMaGes!
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Echorich – In Central Florida, where I matriculated, all Arista Simple Minds singles were rare. Though I managed to snag an Arista/Zoom pressing of “Empires + Dance” with an ease that still shocks me to this day. Simple Minds were a group that I was hearing references of in music press and magazines, but we’re never a band that I ever heard. Eventually, that tantalizing 2×7″ of “Sweat In Bullet” appeared, and when faced with four tracks for the then standard $3.00 for an import 7″ single, I hopped on the train and rode it until at least 1988. It remained until I entered the larger world of buying my records mail order by the mid ’80s that I made it a point of collecting the Arista singles. Even so, the Arista 12″ers didn’t enter into the Record Cell until I was remastering my Simple Minds BSOG around 2002!
The combination of colorful Malcolm Garratt design with the enervated Sheila Rock photography perfectly captures the amphetamine energy inherent in the “Sons + Fascination” period, but you have to admit, the photo on the cover of “Empires + Dance” is the ultimate image of the sun setting on the British empire!
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