-
New In The Record Cell
-
-
Last 7 Posts
- Just Three Weeks Later Fluid Japan Serve A Fourth Sophisticated Single: “You Shut Down”
- Vicious Pink Phenomena Caught In Live Snapshot From 1982 As A Download
- Record Store Day 2023 Has A Few Diamonds In The White Noise [part 2]
- Record Store Day 2023 Has A Few Diamonds In The White Noise [part 1]
- Wall Of Glass
- Landscape Career Box “Landscape-A-Go-Go” Now Ready For Launch On July 21st
- Telstar: An Iconic Pop Instrumental From 1962…And 1984
Last 7 Comments
- chasinvictoria on Just Three Weeks Later Fluid Japan Serve A Fourth Sophisticated Single: “You Shut Down”
- postpunkmonk on “Look At The Moon!” Saw Bowie Curating His Live Set With A Crack Team [pt. 2]
- Big Mark on “Look At The Moon!” Saw Bowie Curating His Live Set With A Crack Team [pt. 2]
- Just Three Weeks Later Fluid Japan Serve A Fourth Sophisticated Single: “You Shut Down” | Post-Punk Monk on Fluid Japan Populate An Elegant “Afterlife” With Their Art Rock Chops
- postpunkmonk on Record Store Day 2023 Has A Few Diamonds In The White Noise [part 2]
- Tim on Record Store Day 2023 Has A Few Diamonds In The White Noise [part 2]
- postpunkmonk on Vicious Pink Phenomena Caught In Live Snapshot From 1982 As A Download
Feed Me
Month By Month
Categories
Tag Archives: import
Record Review: Pete Shelley – I Don’t Know What It Is
Pete Shelley – I Don’t Know What It Is UK 2×7″ [1981] I Don’t Know What It Is Witness The Change In Love With Somebody Else Maxine In the summer of 1981, Pete Shelley’s new solo sound hit like a … Continue reading
Posted in Record Review
Tagged 1981, 2x7", import, Martin Rushent, Pete Shelley, solo work
6 Comments
![Record Store Day 2023 Has A Few Diamonds In The White Noise [part 2]](https://postpunkmonk.files.wordpress.com/2023/03/xpropaganda-xstrangely-remixesuklpa.jpg?resize=200%2C200)
Post-Punk Monk 