I have managed to hear a taster in the duo’s cover of Telex’s still relevant “Moskow Diskow” which is the perfect track to be talking about after yesterday’s evocation of “Trans Europe Express” and “I Feel Love,” because this Telex track from 1979 was nothing if not the Belgian bastard love child of those two songs! Back in 1980/1 [memory’s blurred…] chasinvictoria passed along his US copy of “Neurovision” by Telex to me and I was quite taken with the Belgian trio’s deep plunge into the sort of electrodiscopop that Kraftwerk and Moroder were trailblazing. Unsurprisingly, Sire Records at the time crafted a Frankenrecord® [a US specialty] out of bits and pieces of 1979’s “Looking For St. Tropez” and 1980’s actual “Neurovision.” In a look at just how small the world really is, Telex enlisted Moroder veterans Sparks to write the lyrics for their third album, “Sex” for 1981!
So that was how I was familiar with “Moskow Diskow.” I used to have a cassette tape of it from 40 years ago back when Home Taping Was Killing Music®. All I have of this tune for possibly several lifetimes were memories, and yet I can state with clarity that the job that Parrish + Jones have done with this venerable electrodisko firecracker was utterly breathtaking. The high-stepping bass sequencer was shot through with portamento explosions of synths while the high-bpm rhythm track kept the wheels of steel turning. Best of all, Steven Jones managed to embody my beloved “deadpan women” trope of vocalizing for a rare example of the deadpan male voice! He has proven that you don’t actually need the xx chromosome to sign with the chic detachment of a male Grace Jones. Just the will to do it.
Other than the fact that it’s merely a 3:57 track, [where is the extended remix?] there is nothing wrong and everything right with their Telex cover! The notion was that Parrish will release each of these 25 pop tracks he’s recorded with Jones and two other vocalists [as well as himself] a fortnight apart with the whole project compiled into “The Art of POP” album [possibly on 2xLP] at the end of it all. Alas, “Moskow Diskow” will be the second single, due on March 1st. The first single to reach the usual streaming/DL venues will be the duo’s first Moroder cover of “Flashdance” in two days. Then the third track, their “Tainted Love” cover, will follow two week on the heels of “Moskow Diskow.” See where this is headed? Every other Saturday for a year you will have a new track to investigate. As I’m immune to the platinum charms of “Flashdance” [your mileage may vary…] below you may find a link to the glorious Telex cover.
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i’ve been following Manny’s FB posts about this album and can’t wait to hear it – don’t do Itunes so i’ll happily wait for it to appear somewhere over here, hopefully Juno.
Talking of Telex i heard that Mute were going to be doing a whole load of reissues this year, i certainly hope so !
Nick A – I hope you’re right about Telex. The two pressings of their albums on CD that happened in 1993 (also in a full box) and 2003 were totally off my radar and I can’t afford these discs.
This sounds very tasty! Man Parrish’s work is a core part of my growing up in the world of Lower Manhattan clubs, bars and discos. For me, he is one of the prime movers of Electro. Electro itself owes tons to the work of artists like Kraftwerk and Moroder. Just listen to Six Simple Synthesizer and you will hear it all, taken to it’s logical next level – and you get a Klaus Nomi treated vocal to boot! But my favorite Man Parrish track is Heatstroke. It was used as the theme for a gay porn movie.
Last word on Man Parrish…I am still stunned and awed by the icey beauty of his remix of She’s Electric.
Echorich – Yeah, the Visage remix was the point where he came back onto my radar for the first time since the mid-80s. I first encountered him in the review pages of Trouser Press, naturally.