David Richards: ABC – The Annotated Discography
In a world without the gatekeepers we grew up with, we have few limitations. Anyone, with the determination [and modest funding], can carve out a niche in which to build their own personal, media empire. One can pursue their interests and possibly gain n audience along the way; whether it’s with a blog like this one, or in the now common area of self-publishing. David Richards started up the Ninthwave Records label of neo-synthpop bands as an outgrowth of Lexicon Magazine around the turn of the century. Anyone who names their New Wave centric magazine after the ABC debut album, must be quite an ABC fan. And we know that fans have collections. And after curating such a collection, what else is there but to create elaborate discographies, examining the depth and breadth of such collections? So that brings us to this book, written by David Richards and published in 2015.
One of the good points about the timing of this discography was that it came just after the surprise 2014 issue of the never anticipated Vice Versa “Electrogenesis” boxed set of god that compiled four LPs worth of more Vice Versa material than anyone ever dared to imagine. The book began, logically with the Vice Versa story that led into the radically different mutation that became ABC within two years. Of most interest here was the listing for a 2010 Vice Versa bootleg compilation album called “1979-1980” from Dance Beat Records. This was one that had slipped through the cracks and compiled everything that we thought we knew was out there, including the cassette not in my Record Cell.
Then the book moved on tot he ABC releases from 1981 to 2015. The coverage of the discography is mostly focused on the UK and US singles, with excursions into other territories when needed. Of course, Richards covers promo items which hare the bane/delight of every hard-core collector of a band. In the remix era that ABC flourished in, these promos often could include exclusive mixes that only one territory would receive.
Meanwhile, in the margins, Richards recounted the band’s history concurrent with each release. There are sometimes quotes from players like Stephen Singleton or press quotes from Martin Fry in the margins as release after release, format after format, are duly recounted. Beyond the rather dry [but necessary] areas of discographical research, it’s the annotation that makes this a fun [but quick] read. As you may be aware, hearing a real fan analyzing the output of a favorite band can be an interesting thing.
The most significant compilations that the band had of their music are also covered along with the contemporary releases, that over time, became fewer and fewer. As a collector, I like knowing when a compilation CD had an otherwise not available on CD track as a potential bait for purchase. I have several ABC collections that were must-buys and they are all here. There is a complete appendix in the end of the book that lists them all, even when their contents did not merit inclusion as a discrete entry. So this is a “working” but not canonical discography. Sort of like my own entries in this format since goodness knows, there are no groups that I can claim to have utterly complete collections of.
As the ABC story wound down and went into second gear after the fissure of Fry and White following the “Abracadabra” album, the last pages of the book begin to cover albums that don’t really have anything but promo CD-Rs. Lean times for collectors in the new millennium! Richards goes on to cover sheet music, videos, DJ service remixes [always a tricky area] as well as productions made by Fry and White for other artists. I think that Lizzie Tear might have cropped up in the comments here at some time. The David Singleton Bleep + Booster projects covered in depth were completely new to my eyes. You learn something new every day!
The one bad point of this book’s timing, was that it appeared in the very end of the murky period between 2008’s “Traffic” and the guns-blazing return of Fry with 2016’s “Lexicon of Love II.” I’m betting that Richards may have been gnashing his teeth at his timing to publish; I know I would have! But since nation-states have been known to rise and fall between ABC albums, one can’t flagellate oneself too terribly. At the end of the day, this book is a fun thing for any ABC fan serious to be still reading this review for to have. The book is currently available to Kindle Unlimited readers as a free perk, or if you’re curmudgeonly like myself, a good old fashioned print-on-demand paperback might have your name on it. I must say I was impressed by the rubberized paper on the cover that had a great feel to it. Until the ABC coffee table book gets green-lighted, this will be a good start.
– 30 –
Thank you sir!
dhrichards – I’d like to think that PPM has a lot of readers who have books like this in them, but it looks like you’re at the front of the line.
I would love to see other bands get the same treatment. As you hinted, it is dead easy to self publish stuff these days. IT just takes time (and a proof reader!)
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Thanks, very much. I was unaware of the existence of this.
Just bought the kindle version prior to leaving the comment.
tim – I thought you’d be interested in this!
Hi Tim. A while back you said you made your own versions of the ABC albums. Can you post your tracklists just so I can compare with what I have?
I think the instrumental of The Night You Murdered Love is the same as Bonus Beats?
Thanks in advance
Lexicon of Love:
Overture – Show Me (medley/mix that I made)
Poison Arrow (12″)
Many Happy Returns
Tears Are Not Enough (12”)
The Look of Love (one of the Dreamtime Mixes)
All Of My Heart
How to Be A Zillionaire:
Vanity Kills (UK Mix)
So Hip It Hurts
15 Storey Halo
How to Be A Zillionaire (12” Mix)
Tower Of London (I believe this is a Dreamtime mix)
Fear of the World (extended version made by me)
Between You & Me
Ocean Blue (Dreamtime Mix)
Be Near Me (extended version made by me)
Avenue A/When Smokey Sings (mix made by me)/24 Carat Plastic
The Night You Murdered Love (Dreamtime Mix augmented by me with the rap)
Rage & Then Regret
King Without A Crown (Monarchy Mix…I think….the 8 minute long one from the 12”)
One Day (extended version made by me)
Abracadbra and Skyscraping just have the b-sides worked into the tracklisting.
I do the same with other acts, changes are more radical depending on the b-sides, mixes and instrumentals I have to work with. I’ve done an extended take on the new Swing Out Sister, about 7 tracks in now.
The original “It’s Better to Travel” looks like this in my library:
Theme From It’s Better to Travel
Twilight World (extended mix made by me)
Blue Mood (12” Mix)
Surrender (extended version made by me)
Wake Me When It’s Over
Fooled By A Smile (12” Mix)
Who’s to Blame?
Communion (extended version made by me)
It’s Not Enough
Medley – Another Lost Weekend (12”) Breakout (NAD mix)
And then there’s something like Very by the Pet Shop Boys
Can You Forgive Her (German Homer Mix)
Confidential (German Homer Mix)
A Different Point Of View (German Homer Mix)
Dreaming Of The Queen
Shameless (German Homer Mix)
Yesterday, When I Was Made (extended Jam & Spoon mix made by me)
Too Many People
Was It Worth It (12”)
If Love Were All
One & One Make Five
To Speak Is A Sin
Falling (German Homer Mix)
Young Offender (Extended Mix)
One In A Million
I Wouldn’t Normally Go West (medley of an extended Beatmasters mix that I made, the St Ken Go West & the Tribal Mix)
Music For Boys (extended mix made by me)
My Head Is Spinning
Forever In Love
We Came From Outre Space
The Man Who Has Everything
One Thing Leads To Another
to give an idea of re-sequencing and working in b-sides.
I had, years ago, a book that was sheet music for both Lexicon of Love and Beauty Stab. Interesting pairing, I know.
Tim, I am still searching for what I presume is a fan mix of The Night You Murdered Love.
Does PPM like Level 42? They put out something like this a few years ago.
Rob C – Oh yeah. There’s plenty of L42 in the Record Cell. With the US/UK versions of singles often different, a book like this one would be very helpful in negotiating a successful collection.
I’m sorry. But i made the mistake of buying this book. Fortunately it was very cheap.
It’s not very well written, and is missing many key items, and releases.
I’ve compiled a much more thorough listing, and much more updated
version on my own.
This is a basic start, but not very well written. Can’t recommend it all.
Would you be willing to share the list? As a fan, I am always keen to see what I have missing.
I thought that it did fine for confining itself to a set of criteria. A lot of the mixes have been used again and again and again on various comps and there’s no need to go into the minutia of all that, then there’s the mix services stuff which Neg1 has already commented that he isn’t much of a fan of (I agree with him on a lot of that).
The part that will make anyone nuts is the fanmade stuff shared on the internet. I know there’s a Pet Shop Boys site that tries to catalog this sort of thing, some of it is good, some excellent and a lot of it awful. Dreamtime made some fantastic ABC mixes but has taken most of his work offline.
By the way, if I am understanding correctly you were with Lexicon magazine. I really enjoyed it while it was printing, I even scanned my favorite issue into a pdf…had ABC with Skyscraping, a helpful Thomas Dolby discography and an interview with Julia Fordham.
Thanks Tim- I am cool with Neg 1- he’s been around for years. Actually most of the ABC “community” have been fine with the book- not taking it as exactly a heartbreaking work of staggering genius but more of a fan writing about his fave band, lol.
Agree about the mixes services- some are ok, Razormaid did some decent ones, but most are awful.
I did work with Lexicon (if you think the book has typos…) thanks- it was fun until it wasn’t.
negative1ne – I don’t consider myself a hardcore ABC collector. More of a “functional” collector. I try for one copy of any tracks or mixes with no expenditure to buy singles for “the collection” that bring nothing new to the table musically. No matter how cool the sleeve may be. But with any discography there will always be new things popping up over time. I thought this was a good base for my absolutely incomplete ABC collection. As a fan it was interesting to see David’s take on their stylistic changes over the years.
The ABC coffee table book would be a great idea! Now if only someone would sponsor a sabbatical for me to compile and write it ;-)
mwelters – Who better to make it?