Rock GPA: Orchestral Manoeuvres In The Dark [part 1]

Well, with the latest OMD album finally in the Record Cell, it was time to breach the notion of another really long Rock GPA for this highest level Core Collection band in my collection. I have lots of deep collections, but really, there are but three [technically four] bands that sit on the top shelf: Ultravox/John Foxx, Simple Minds, and Orchestral Manœuvres In The Dark. I’ve already done Ultravox. I spent over half of a year examining my thoughts on the Simple Minds career up to the point of their 2014 album. I can’t do one on John Foxx [yet] because he’s so prolific that I still don’t have all of his albums! In spite of owning dozens. But I do have “The Punishment Of Luxury” in house, and the time is nigh for a thorough examination of this beguiling technopop band who perhaps come the closest to embodying all of my attitudes within the worldview that informs their music. As a result of this, there is a bond that I feel to the music of OMD that is more intimate than the more dispassionate linkage I feel to other bands of a similar stature in my Record Cell.


My first exposure to OMD was on Mike Cooper’s “Import Hour,” a weekly program on my local FM Rock radio station WORJ-FM. It was probably late 1980 when I chanced to hear Cooper play the band’s debut single, “Electricity.” He also played the album cut “The Messerschmitt Twins” from “Orchestral Manœuvres In The Dark.” This probably meant that he was working from the import debut album and not the single re-release of “Electricity.” My ears perked up at the paean to power generation that clearly marked this band as disciples of Kraftwerk, though the extent of it at that time was something that I could probably barely parse. “The Messerschmitt Twins” was something else entirely, though today I hear more Kraftwerk in its bleak, arid landscapes. In any case, I had absolutely noted the band and their approach and I put them in the box marked “investigate this band – pronto.”

All was quiet on the musical front until the late Spring of 1981, when I saw that the short-lived Virgin/Epic label linkup released an album called “Orchestral Manœuvres In The Dark” all across the land. I made it my album to get that week and it instantly became an absolute favorite! I played it constantly. I took it everywhere and played it. I took it on cassette decks and carried it around with me everywhere I went. I played it in friend’s cars on a cassette recorder that my computer used to write and store programs on! I played OMD for any and all of my friends, who all took the band to their heart as well, to varying degrees. This was a major new band for my ears at a time when there was a surplus of such things in the world.

The sound on this album went from hook-laden technopop to brooding, gothic atmospherics of a cinematic bent. The first time I heard an electronic ballad was here, and it was a love song to an oil refinery! A 6:30 love song to an oil refinery. And it was stunning. I had never heard anything this passionate, yet, strange before. The band were definitely oddballs. None of their songs were typical pop/rock fare. Their subject matter was highly idiosyncratic and abstract/intellectual. There were no love songs. By the  time hat I entered college in the Fall, this band was one of my absolute favorites. As the year progressed, I was rapidly descending [or should that be ascending] into a world of imported records and secret musical knowledge making itself manifest to me. As wonderful as “Orchestral Manœuvres In The Dark” I had by tat time learned that it was a compilation of the first two OMD albums for the American market. The time was now to find and purchase the real albums as released in the UK.

Next:  …Five new unheard songs

About postpunkmonk

graphic design | software UI design | media design • record collector • satire • non-fiction
This entry was posted in Core Collection, Rock GPA and tagged , , , . Bookmark the permalink.

5 Responses to Rock GPA: Orchestral Manoeuvres In The Dark [part 1]

  1. Echorich says:

    My running shoes are on Monk, ready for the log distance run that an OMD G.P.A. will provide.
    Two things you mentioned strike a very personal cord for me – in that I too had the same reaction.
    By the time I first dug deep into learning more about Orchestral Manoeuvres In The Dark, I was becoming well versed in all things Liverpool. I learned that there wasn’t just one sound that characterized Liverpool as the 70’s melted into 1980. From Deaf School to Pink Military, Dalek I Love You and Nightmares In Wax to Echo And The Bunnymen and Original Mirrors, what the scene did have in common was that everyone knew everyone and many bands had members that intertwined.
    So the fact that OMD made sounds of both a Motorik nature and a Gothic, somewhat Psychedelic, edge fit right in with what was going on in Merseyside. What also struck me was a certain “happy naïveté” in their earliest sound. This meant that instead of sounding structured and sterile, OMD allowed an exuberance of emotions into their music that many of their contemporaries went to great pains to remove from their music.
    Ok, well I’m ready for this…

    Like

  2. Shelf says:

    2018 North American tour dates announced!

    http://www.post-punk.com/omd-announce-extensive-north-american-tour/

    Looking forward to your OMD class, professor :-)

    Like

    • postpunkmonk says:

      Shelf – Thanks for the tip! That looks like a substantial tour, amigo! It looks like the opening slot for Barenaked Ladies has paid dividends. All of my friends have a local gig to attend though I’ll still have to truck it to Atlanta. At least they are playing Centerstage instead of the former storage area for that venue known as The Loft, as they did in 2011.

      Like

  3. Brian says:

    Autumn just got a little more interesting. The discography mirrors Simple Minds in a lot of ways, meaning you have many great posts ahead of you before the dip. Then there is the surprising and rewarding rebound. Have at it. We’ll be here.

    Like

    • postpunkmonk says:

      Brian – Ah, the inverse bell curve of quality! Lucky are the bands that get to ride it to its logical conclusion! The jury is out on Simple Minds as they have furiously thrown themselves into another down cycle. I don’t think they have enough time to push their curve up again.

      Like

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s