Visage: Fade To Grey – The Singles Collection | Special Limited Edition Dance Mix Album
- Fade To Grey [Dance Mix]
- Mind Of A Toy [Dance Mix]
- Visage [Dance Mix]
- We Move [Remix]
- Tar [7″ Ver.]
- Der Amboss [4:34 edit]
- In The Year 2525 [Remix]
- The Anvil [5:04 Remix/Edit]
- Night Train [6:24 Dance Mix]
- Pleasure Boys [7″ Ver.]
- Damned Don’t Cry [Dance Mix]
The arrival on the scene of the mojo 7xCD Visage BSOG compilation last year simultaneously spurred me on to digitizing the 1984 ltd. ed. dance mix version of their first compilation, “Fade To Grey: The Singles Collection” as well as kept me from doing it for at least a half a year. As much as I am willing to fall down the rabbit hole of monomaniacal fandom [see looooong threads on Simple Minds and David Bowie] and compulsively blather on about bands I really love, I was also aware that I did not want PPM turning into a de facto Visage blog. As much as I could probably do it.
It was earlier this year that I digitized this and prepared it as one of my homegrown CD reissue projects. The remastering process revealed just what this album that had been on my racks since around 2004 really had to offer. Let’s outline exactly what’s on offer.
- Fade To Grey [Dance Mix] – This was the US John Luongo dance mix as on the “Visage” US EP.
- Mind Of A Toy [Dance Mix] – The dance mix of “Mind Of A Toy” was the same as on the UK 12″ single. There was a looped percussive segue at the beginning that John Luongo added.
- Visage [Dance Mix] – A slight edit of the UK 12″ remix with another looped percussive seque as the intro.
- We Move [Remix] – The short remix from the earlier version of FTG: The Singles Collection. Hard cut into the drumbeat outro of the previous track.
- Tar [7″ Ver.] – The original UK 7″ from 1979 with with another looped percussive seque as the intro.
- Der Amboss [4:34 edit] – A unique edit of “Der Amboss” which is usually a minute longer.
- In The Year 2525 [Remix] – Version on other copies of this album, cross faded into next track.
- The Anvil [5:04 Remix/Edit] – Unique edit of 6:14 dance mix of “The Anvil” from “Pleasure Boys” UK 12″ single.
- Night Train [6:24 Dance Mix] – Appears to be UK 12″ mix re-edited to be 0:20 longer than the one of 12″ single. Possibly longer intro. Fades out.
- Pleasure Boys [7″ Ver.] – Common 7″ version of “Pleasure Boys” which fades up on brief silence from previous track. Cross faded into final track.
- Damned Don’t Cry [Dance Mix] – UK 12″ dance mix from single.
The vinyl I had sourced back in the early noughties was from an eBay seller in England. I had only just learned of the existence of this album at that time, perhaps in the pages of Extreme Voice, the Ultravox fanzine. I had become aware of Extreme Voice when Billy Currie had told me about them when I had ordered his “Stand Up And Walk” cassette when it came out. I had asked Billy a few questions and he said that EV had all the answers. Copies of this album were thin on the ground then. The new mix was primarily on the cassette version of “FTG: TSC” but they also pressed up some LP copies. Due to the longish 52-53 minute running time, it’s a little groove crammed.
Worse, my copy was about a solid VG, with plenty of noise and pops throughout. For years I was afraid to play it, since it looked like what it probably sounded like. As I recall, it cost me around $30+ back then when copies were months apart from each other on eBay; the only game in town, apart from GEMM. When I played it, I got about exactly what I was expecting. Had I been able to buy a VG+ copy of this, it might have cost me $60 in the market of the time.
The constant pop and crackle throughout was substantial. To manually remove the noise using my beloved interpolate filter in Sound Studio would have taken days per track. And there’s no guarantee that using the filter even discretely, hundreds of times per second would not turn the music to much. There are limits to these things! My salvation was definitely going to be the ClickRepair software I bought a few years ago. It’s expert at removing pops without affecting the music afterward. Sure enough, I ran the capture of each side through the filter and the noise was removed. What was left was all that the vinyl was capable of providing at this late date.
The intro to “In The Year 2525” was such a welter of noise that even ClickRepair came up short on it. But there were hundreds of ways to skin a cat. I thought that I could splice in the intro from a clean vinyl copy of the song to better match EQ and the like. After all, I had the US edition of the standard version of this album since day one. I digitized the intro then noticed something very peculiar as I began editing the intro splice into the recording from the Dance Mix album. It had its channels reversed! The intro to “2525” had a very distinct, almost binaural, stereo spread with no crosstalk. It was very easy to determine if the channels had been reversed or not. Fortunately, we have computers for just this sort of thing, so I reversed the channels of the track, but not before determining if the whole side of the LP was in fact, reversed.
Next: …Reversing the Polarity of the Neutron Flow
Great to see your passion for this,the RED edition of the album.
I bought it at the time of release for £3.99 from a long-gone shop in Liverpool,but have rarely seen copies since.Mine has been played to death of course over the years,along with the Special Cassette Mix of the “Beat Boy” album.
It has always remained a favourite and in the ‘lean years’ between albums three and four,a lifesaver.
Gavin – This was never in the bins in America! Like I said, this was hard to obtain 13-15 years ago and it’s only slightly easier to buy today, due to Discogs. Even so, it’s costly album, still. I was lucky to get one back then for under $50. Tomorrow we’ll go into the remastering a bit deeper. No as for that “Beat Boy Dance Mix Cassette?” That’s unfinished business!
Just to correct one error, the version of In The Year 2525 on this dance mix album is the original NOT the remixed version. Compare them and hear the difference. This version, still with The Anvil cross fade, is on the Masters cd compilation and is the only digital release of the unremixed version.
Richard Anvil – When I get a spare hour, I will have to do some forensic listening as I have the sources you mentioned.
Richard Anvil – Still waiting for that spare hour!
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Listening to ‘We Move’ recently and the keyboard solo is very close to the ‘Stranger Within’ keyboard riff. Only just realised this after decades of listening to them.
MikeroGlobe – Welcome to the comments! If it was a snake, it would have bit me! My brain can almost re-create the songs for analysis, but I think you may have something there! Mr. Ure was, of course, the glue that untimately bonded both songs, so that’s understandable. I’ll have to play them this morning and get back to you.
Thanks and great blog btw.
I assumed the similarities are because Billy Currie was involved. I love both songs.
MikeroGlobe – Oops! How could I forget about my favorite synth player?!